This book chapter very conveniently lays out the problem of the historical novelist: given a general life story that is compatible with--but not prescriptive of--lesbian experience, how do we fill in the more detailed social context that establishes both the plausibility of our proposed story and how our characters would experience it on a day to day basis? Not that this is what Hitchcock is trying to do. After all, historians are not supposed to be looking to prove theories about specific individuals, but to determine what is actually knowable about them.