Amtower, Laurel. 2003. “Chaucer’s Sely Widows” in The Single Woman in Medieval and Early Modern England: Her Life and Representation, ed. by Laurel Amtower and Dorothea Kehler. Arizona Center for Medieval and Renaissance Studies, Tempe. ISBN 0-06698-306-6
A collection of articles on the general topic of how single women are represented in history and literature in medieval and early modern England. Not all of the articles are clearly relevant to the LHMP but I have included all the contents.
Chaucer’s Sely Widows
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Medieval widowhood was a strongly gendered concept. Only in the 14th century was a parallel term applied to men whose wives had died. The legal status and protections for female widows differed from those for male widowers. Widows occupied an ambiguous status as a sexualized, but uncontrolled, woman, and as an independent legal/social entity who had “paid her dues” to earn that status. Widows were entitled to 1/3-1/2 of their late husband’s estate and in many cases could continue his business, guild membership, and other economic functions. They could represent themselves in law to protect these rights, although this required the skills and knowledge to navigate the legal system. Remarriage could offset some of these handicaps, but conversely had disadvantages. On remarriage, the widow would once again come under a husband’s legal control, though she might negotiate to regain independent legal control over assets from her previous marriage.
Widows were expected to be chaste, but did not have the (hypothetical) ability to “prove” that chastity with their body that virgins were expected to have. They were “unruly” bodies--sexually active but no longer “ruled” by a husband. This paper looks at the concept of widowhood in Chaucer, where widows are often used to represent men’s sexual anxieties. Throughout his writings, widows most often are allowed to “speak” in the text only as a voice for their dead husbands. The exceptions are the sexually aggressive Wife of Bath (in the Canterbury Tales) and the clandestinely sexual Criseyde (in Troilius and Criseyde).
Chaucer’s younger widows generally express a desire for the married state and often are depicted as remarrying. Barriers to remarriage are typically thrown up by their potential partner. These men see them as “safe” targets of sexual interest. Their widowed state is used as an excuse for their sexualization.
The widows use language to have power in the world, either to punish their persecutors or to create justification for their way of life. The Wife of Bath and Criseyde lay verbal claim to their identities in part by claiming that marginal status as widow, rather than in imitation of a single state. Traditional paths are no longer available to them, leading them to question and challenge the status quo.