Skip to content Skip to navigation


Covering the region equivalent to modern Italy in southern Europe, but also used for topics within the cultural scope of the Roman Empire, if a more specific region is not indicated.

LHMP entry

This chapter tackles the question of how "sameness" in the context of same-sex relations reflected and represented concerns about social leveling. It begins by considering an example of the "metamorphic" framing: a 17th c. book of curiosities that included a chapter of 24 instances of persons changing sex. Though the book was reprinted regularly, the sex-change chapter was dropped, perhaps reflecting a shift from an earlier miracle-accepting age to one more concerned with rational explanations.

The chapter begins with a survey of the types of published materials that led Lanser to identify the late 16th century as a shifting point in the discourse around sapphic topics. In 1566 a Swiss writer provides an account of a French woman who disguised herself as a man, worked as a stable groom and then a wine grower, married another woman, was eventually unmasked, and was executed. He notes “how our century can boast that beyond all the evils of the preceding ones” and explicitly disclaims any connection between events such as this and the “tribades in ancient times”.

Haley looks at Lucian's Dialogues of the Courtesans, including his portrayal of women who sexually desired other women, from the context of queer theory and a consideration of male gaze versus representation. Given the more classically-oriented audience for this collection, she helpfully starts with an explanation of queer theory and the examination of sexual identity as a social and political construct. [I think this may be the first time I've encountered the use of "Pomosexual" in a non-ironic way.]

This article looks at the disconnect between Roman literary considerations of female homosexuality and their everyday reality. The period covered is the 2nd century BCE through the 2nd century CE. Various mythic origins were attributed to homosexual desire. One example is the story of how a drunken Prometheus , when creating humans from clay, attached sexual organs to the “wrong” bodies, thus creating individuals whose internal preferences were counter to their external organs.

David M. Halperin -- Halperin focuses specifically on the social and historic context of varieties of sexual activity in ancient Greece and takes the position that Brooten fundamentally misunderstands the nature of Greek sexual hierarchies and of the institution of pederasty (in its ancient Greek sense).

In the 16th century Laudomia Forteguerri wrote sonnets to Duchess Margaret of Austria, five of which survive. And at least one contemporary of theirs placed the relationship between the two in the context at Plato’s myth of lovers seeking their "other half”, placing them in a list of "those each other’s beauty, some in purity and holiness, as the elegant Laudomia Forteguerra loves the most illustrious Margaret of Austria, some lasciviously, as ...

“Travesty” comes literally from “cross-dress” with the theatrical term later picking up its sense of general transgression. Anyone familiar with theater and opera from Shakespeare onward is aware how popular it was to include gender disguise in its many forms and consequences. The two most common expressions both revolve around anxiety about female-female desire: a woman disguised as a man who attracts female romantic attention, or a man disguised as a woman to gain intimate access to a woman who then worries about the ensuing “wrong” erotic attraction.

Here Donoghue considers the literature that addresses sexual activity between women. In contrast to some claims, there are a number of home-grown English texts in this period that address non-penetrative sexual activities between women, and during the 18th century there seems to have been a regular dialog between French and English writing in this vein, with works in one language rapidly appearing in translation in the other.

Donoghue’s second conceptual cluster in this analysis is the “female husband” motif. That is, not simply women passing as men, but doing so in a context where they courted and/or married other women. The chapter begins with a general note on the prevalence of this type of event and the wide variety of superficial motivations for passing.


Subscribe to Italy