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cross-dressing

Any context where an individual wears clothing that is socially designated for a different gender than the one they are assigned. The tag includes instances where clothing is used as an overt symbol rather than an overall presentation.

LHMP entry

[Note: I originally picked this up thinking that it would cover literary female cross-dressing knights as well as male ones. Although the article is entirely about men cross-dressing as women, it helps to round out the picture of how medieval people viewed clothing as a gender signifier and some of the asymmetries of cross-gender behavior.]

Putter looks at the phenomenon of (male) cross-dressing knights, both in historical records and in chivalric romances and considers how the topic contributes to our understanding of gender and sex categories in the middle ages.

[Note: I’d like to remind readers of my convention that my commentary and critique of articles is typically enclosed in square brackets, unless it’s clear enough from context that I’m speaking in my own voice. Otherwise non-bracketed text is meant to be understood as a summary of the article.

[Note: the use of the word “hermaphrodite” and its definitions in this article and the texts it examines is in reference to a historic concept--one that reflected a specific social construction. It is acknowledged and emphasized that “hermaphrodite” can be an offensive term in modern language in the context of gender, sexuality, or physiology.]

Gonda examines the rather peculiar mid-18th century text The Travels and Adventures of Mademoiselle de Richelieu within the context of cross-dressing narratives and as a lesbian-like narrative (she doesn’t use that specific term), as well as comparing it with its highly abridged knock-off The Entertaining Travels and Surprizing Advenrures of Mademoiselle de Leurich.

Leach’s biography of Charlotte Cushman takes a detailed “gossip column” type of approach, working in detail through all her travels, performances, and social interactions. He attributes motivations, emotions, and reactions both to Cushman and to those around her, dramatizing and fictionalizing the bare facts drawn from letters, diaries, and newspaper accounts. This can leave a seriously mistaken impression of what the evidence is behind his assertions.

I don’t usually include primary texts in this project, in part because there’s more value in reading the interpretations of historians (of which I am only an amateur) and in part because the selection and excerpting of relevant sections is itself an interpretation process, which I am hesitant to perform. But in this case the relevant excerpt is short enough to include in its entirety. So I’ve included both the original Latin (for fun) and Martin’s translation.

This is an examination of gender and sexuality in a “transvestite saint” legend from France. Saint Euphrosine wanted to remain a virgin and so ran away from home. To help avoid being tracked down by her father, rather than entering a convent, she disguised herself as a man and claimed to be a eunuch to enter a monastery. Sight of her inflames the lusts of the monks such that the head of the monastery requires her to live secluded to prevent sexual temptation.

The late 16th and 17th century fascination with hermaphrodites would give the impression that such persons were common. As well as the volume of discourse on the topic, the nature is different from previous medieval discussions and later early modern ones. The opinions and positions are contradictory, even when limited to the medical community, and include both formal and informal expertise (e.g., surgeons versus midwives). The focus of this article is specifically on the discussions of learned physicians, in order to narrow the range of variables.

This case is drawn from a legal document that is almost unique in medieval England in providing a description of male same-sex activity in a context of male cross-dressing. The legal focus emphasizes the importance of gender, and not sexual behavior or sexual “identity” in the context of medieval law.

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