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cross-dressing

Any context where an individual wears clothing that is socially designated for a different gender than the one they are assigned. The tag includes instances where clothing is used as an overt symbol rather than an overall presentation.

LHMP entry

Mills asks (rhetorically) why medievalists rarely discuss transgender frameworks of interpretation, given that medieval people had much clearer ideas about that topic than anything that might be called “sexuality.” Moral polemics focused less on sex acts themselves, than on disruptions of gender, in particular those that violated the strict binary contrast of “male = active, female = passive.” Androgynous (or intersex) persons were recognized as existing, but were required to choose a consistent binary gender identity (or celibacy).

Around 1408 the Limbourg brothers (who created some of the most fabulous illuminated manuscripts of the 15th century) created a Book of Hours for the Duc de Berry. In the section covering the life of Saint Jerome, it includes a depiction of a “practical joke” where Jerome was tricked into putting on a woman’s dress without realizing it. The illustration shows Jerome being mocked for wearing women’s clothes, highlighting the incongruity by the visual contrast of the dress with Jerome’s prominent beard.

In the second half of the 19th century, psychiatrists began identifying women who transgressed gender norms as “inverts” (i.e., homosexual) and as pathological. Carl von Westphal in Germany was an early example, although his work was not widely circulated. His followers Richard von Krafft-Ebing and Havelock Ellis had more influence.

In this chapter, Faderman reviews the historic and literary perception of women cross-dressing as men during the 16-18th centuries. She notes that women passing as men [or transgender men, although this framing was not typically used at the time the book was published] were considered a more serious issue than lesbian sex, as long as that sex was between “feminine” women. One difference was that sexual encounters could be framed as a transient amusement whereas passing women were engaged in a long-term transgression.

Epps considers themes in stories from The Thousand and One Nights that compare and contrast gender, particularly in terms of evaluating gendered ideas of beauty, and cultural framings of gendered responses to another’s beauty. The initial discusion covers a debate between two jinn (one male, one female) regarding whether boys or girls are more beautiful. On test that is suggested is which gender is least able to control themselves sexually on seeing the other. I.e., that greater beauty will more easily overcome self-control in the other.

This is a translation of an 1891 publication of the summary of German trial records from1721. The 1891 publication is by Dr. F. C. Müller, a sexologist who added his own commentary from the point of view of sexual psychopathology. Eriksson’s translation omits this commentary and includes only the original trial summary. The summary was put together after the conclusion of the trial when the sentence was being sent to a higher authority for review.

Crompton provides an in-depth study of European and American laws addressing homosexual acts between women, from 1270 on. Prior to this study, the general historical understanding was that lesbians were ignored by the law, based mostly on an unwarranted generalization from English law. In fact, lesbian acts were criminalized in legal systems in France, Spain, Italy, Germany, and Switzerland, and were considered equivalent to male sodomy.

Somewhat similarly to Dugaw’s book on gender disguise in military contexts in the early modern period (both in life and literature), this book examines the phenomenon of persons born as women who took up military careers as men, whether out of patriotism, as one facet of a transgender identity, from some other desperate need, or a combination thereof. The book is copiously illustrated, including many photographs of the more modern subjects who are included.

Friedli provides an extensive examination of “passing women” -- defined as women (using current terminology, it might be better to say “persons assigned female at birth”, but Friedli uses “women” and I will follow that here) who live, work, and/or marry as men for some period during their lives. This is specifically distinguished from theatrical cross-dressing or overt cross-dressing as a sexual signal. While the phenomenon is far from confined to the 18th century, there seems to have been a fascination with it in England, beginning in the late 17th century.

Jelinek has collected information about a surprisingly large number of gender-masquerade autobiographies, covering the 17-20th centuries and focused on the English-speaking world (likely due to the reseracher’s own interests). The bibliography at the end lists 18 publications, covering 17 different individuals, of whom 13 are discussed in detail in the article. As a context for the material, Jelinek notes motifs of women disguised as men in literature , including several works by William Shakespeare and Margaret Cavendish.

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