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There's a special Halloween episode of the Lesbian Historic Motif Podcast live at the Lesbian Talk Show: a discussion of Christina Rossetti's poem "The Goblin Market" in the context of 19th century literature with themes of lesbian-tinged decadent sensuality and predatory supernatural creatures. The podcast concludes with a reading of the entire poem. I think I'm finally starting to feel ok about listening to the sound of my own recorded voice!

The Lesbian Talk Show, which hosts my Lesbian Historic Motif Podcast episodes, is doing a holiday special series currently, with special episodes of regular shows and additional episodes that mix and match the regular contributors.

I chatted a bit about the history project in an interview with Elizabeth Andersen for her radio show The Tenth Voice which aired yesterday. We also talked about my books and writing. The Project has also been added to the set of Resources links under Writing Characters with Different Sexual Orientations. Writing the Other offers a wide variety of resources, including links, articles, videos, and classes.

Having come to the end of a couple months worth of entries that I lined up in anticipation of the August crunch, I wandered into my library and sorted through my more recent acquisitions for something that wouldn't cut too deeply into my novel revision time in the next couple weeks. I confess I picked this volume up in part because one of the papers to be covered is a recapitulation of Sahar Amer's comparison of Arabic and French same-sex marriage motifs in medieval literature. I figured that would be a "quick win" in terms of coverage.

It's the very first Lesbian Historic Motif Podcast episode! "Ordinary Women" kicks off this monthly audio series as part of The Lesbian Talkshow podcast, a magazine style podcast of book reviews, readings, news, and entertainment.

When I first started working seriously on the Lesbian Historic Motif Project, I was delighted at how the number of relevant publications and the scope of the material kept expanding with every book or article I read. But lately I've been noticing how often I'm covering publications that largely cover themes and motifs that I've already dealt with. Sometimes they have an interesting new take on the material, but sometimes it's simply repackaged from a slightly different angle. This isn't a problem, as such.

I approached Kelly Gardiner’s novel Goddess with a combination of excitement and dread. It’s hard not to have mixed feelings when someone tackles the story of a real historic figure with whom one is already in love. In my completely biased opinion, anyone who encounters the biography of 17th century swordswoman and opera star Julie d’Aubigny, Mademoiselle de Maupin and does not fall in love has something wrong with them.

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