One of the questions raised by today's LHMP post is, "What does it meant to identify a poem or a poet as 'lesbian'?" especially in an era with different categories and expectations than our own. I raised a similar question in yesterday's blog about queer characters in historical fiction. When we write a character in a historic setting, we're telling two stories: the story of how that character relates to the past, and the story of how that character relates to present-day readers.