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game of flats

(English) As with Tommy, an 18th century text provides undeniable evidence for this phrase meaning “women having sex together.” The 1749 polemic Satan’s Harvest Home has a section entitled “The Game of Flats” which goes into sufficient detail to make the meaning clear.

LHMP entry


Early Modern England (16-17th century) was developing a vocabulary and symbology to describe and express intimacy between women and female non-normative sexuality. This was taking place in various genres, including travel narratives, medical texts, and works of marital advice. At the same time, women were developing an evasive coded language to express such desires in their own lives. In this context, Sappho was invoked not only as a symbol of female lyricism, but also to represent and make reference to erotic bonds between women.

There are no identifiably female authors in this set. Several works are anonymous, but unlikely to be by female authors. Sappho continues to be a theme, with approaches that range from a positive interpretation of her homoerotic themes to a satirical portrayal of her invention of lesbianism. Out and out pornography is well represented, presenting sex between women for the male gaze, in one case disguised as condemnation. And we have a couple examples of the blurring of gender categories in ways that could be interpreted as homoerotic (among other interpretations).

Following the theme of “who tells your story?”, this set of selections diverges strongly between male and female authors. We have three named male authors including lesbian themes in pornography or crude sexual satires. We have five female authors writing poetry of intense romantic friendships, sometimes tinged with an erotic sensibility but never explicit. And we have two anonymous works of varied nature.

Rictor Norton has assembled an on-line sourcebook of primary documents relating to homosexuality in 18th century England. (He also has several other pages on related historic topics.) He notes: “All the documents faithfully reproduce the spelling, punctuation, capitalization and italicization of the original sources." As is typical for sites covering homosexuality in general, male-related material vastly overwhelms female-related material (which represents less than 10%).

This chapter tackles the question of how "sameness" in the context of same-sex relations reflected and represented concerns about social leveling. It begins by considering an example of the "metamorphic" framing: a 17th c. book of curiosities that included a chapter of 24 instances of persons changing sex. Though the book was reprinted regularly, the sex-change chapter was dropped, perhaps reflecting a shift from an earlier miracle-accepting age to one more concerned with rational explanations.

There are many aspects of the history of homosexuality where an assumption of parallelism between the experiences of men and women leads to erroneous conclusions about what did and didn’t exist. For men seeking sexual experiences with men, there’s a fairly well documented history of networks, meeting places, and informal associations that helped them achieve their ends.

The introduction begins with a contradiction that inspires the book’s title. In twenty years of correspondence between Queen Anne and Sarah Churchill, the Duchess of Marlborough (who were famous for their close and loving friendship), the two closed letters with phrases in which the words “passionate” or “passionately” figured prominently. And yet a comment by Sarah regarding a somewhat scandalous pamphlet described it as including “stuff not fit to be mentioned of passions between women”. Did the word “passion” have distinct and separate meanings in these two contexts?

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