In this set of works, women seem to have discovered the usefulness of fantastic and unusual imagery to disguise some rather intense eroticism in poetry. Subtle misdirection is also used in a novel to enable homoerotic scenarios. We also have a conventional work of romantic partnership. The male authors are largely sticking to sensational and decadent eroticism and misogynistic satire, with one set of poems lapsing to a more neutral, if voyeuristic, depiction.
female co-habitation
Sharing a household is not a pre-condition for participation a close same-sex romantic or erotic relationship, but cultures which normalized co-habitation by unrelated women created a context where such relationships could be more easily accommodated.
LHMP entry
Prolific 18th century writer Eliza Haywood was known for treating themes of love and passion in her fiction and plays. Although her public life included several long-term relationships with men and at least one “unfortunate” marriage, this article examines the treatment of passions between women in six of her texts. Ingrassia notes that views of female relationships in her work have tended to overlook the same-sex aspects, despite the narratives regularly offering alternatives to the standard “marriage plot”.
This article looks at the 1744 novel The Travels and Adventures of Mademoiselle de Richelieu, concerning a cross-dressing lesbian heroine who goes about Europe having adventures. Woodward examines this text in the context at other 18th c novels with similar themes that veer off from the lesbian resolution. She also considers the problem of the work’s authorship. It purports to be a translation into English by a man of a French original, written by a woman, but there are reasons to doubt several aspects of that framing.
At the time of the earliest journal entries, Marianne has already married and her husband has intercepted their correspondence, which included speculations on Anne and Marianne forming a household together after the (much older) husband's death. At this point Anne begins using her cipher in the correspondence for key passages, as well as in her journals, But relations with Marianne were becoming strained from the separation and Anne's thoughts turned once more to an earlier lover, Tib (Isabrlla Norcliffe), who was part of the York social circles of her youth.
Renaissance drama provides a case study in how lesbian themes and female homoerotic potential can be hidden in plain sight simply by the denial of their possibility. Traub notes that even today one can find vehement denials of homoerotic content in such overtly suggestive works as Shakespeare’s Twelfth Night. And less overt content may only emerge into view through an awareness of the era’s understanding and encoding of female desire and forms of female intimacy.
This chapter surveys specific examples of prosecutions for cross-dressing from the archival record. The examples show that although there were a wide variety of contexts in which the law could have been enforced, from those living transgender lives to feminist dress reformers to young people of both sexes cross-dressing for a night on the town, in fact arrests tended to be used tactically, following their underlying purposes. Two different categorical distinctions emerge that the law was trying to address: men versus women, and typical versus atypical gender identity.
For sheer soap-opera fascination, the trial of Katherina Hetzeldorfer in 1477 in Speier explodes a number of potential myths about lesbian activity in medieval Europe -- whether that there was none, or that it was given no official or legal notice.
Although this article concerns itself with evidence from 20th century ethnographic work, a number of researchers have suggested that the evidence of folklore and earlier historic references indicate that a recognized role of this type previously existed much more widely in various European cultures. (See, e.g., Clover 1995 covered previously.) The “sworn virgins” represent a trans-gender role, although one expressed with a broad range of variation in gender expression and identity.
The increasing divide between the derided image of erotic sapphic relations and the praiseworthy image of female domesticity, epitomized by non-erotic woman+woman couples, is played out in attitudes toward certain couples. The “Ladies of Llangollen” (Eleanor Butler and Sarah Ponsonby) were firmly established in the popular imagination as the model of non-sexual romantic friendship.
Chapter 2 - Constructing and deconstructing sexuality: New paradigms for “gay” historiography
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