The True History and Adventures of Catharine Vizzani / Breve storia della vita di Catterina Vizzani (Giovanni Battista Bianchi)
Friedli provides an extensive examination of “passing women” -- defined as women (using current terminology, it might be better to say “persons assigned female at birth”, but Friedli uses “women” and I will follow that here) who live, work, and/or marry as men for some period during their lives. This is specifically distinguished from theatrical cross-dressing or overt cross-dressing as a sexual signal. While the phenomenon is far from confined to the 18th century, there seems to have been a fascination with it in England, beginning in the late 17th century.
The paper opens with a consideration of the use of the term “queer” in modern academia, combined with a more literal meaning indicating deviance from the norm. But then it dives into a somewhat unusual use of the word in the diaries of Anne Lister (1791-1840) who appears to use “queer” as a name for female genitalia—a use that doesn’t seem to have a clear origin or parallels.
Rictor Norton has assembled an on-line sourcebook of primary documents relating to homosexuality in 18th century England. (He also has several other pages on related historic topics.) He notes: “All the documents faithfully reproduce the spelling, punctuation, capitalization and italicization of the original sources." As is typical for sites covering homosexuality in general, male-related material vastly overwhelms female-related material (which represents less than 10%).
Lanser examines the conjunction of the novel as a genre with "modernity" as defined in this work and considers its relationship to sapphic themes, despite the superficially overwhelming heteronormativity of the genre. One hallmark of the novel is the way in which it explores the contradictory imperatives of self-determination and socialization. The focus of the novel on the formation of couples and the subjective nature of desire opens the conversation--as previously seen with political and social conversations--to the inclusion or exclusion of sapphic subjects under that rubric.
Donoghue’s second conceptual cluster in this analysis is the “female husband” motif. That is, not simply women passing as men, but doing so in a context where they courted and/or married other women. The chapter begins with a general note on the prevalence of this type of event and the wide variety of superficial motivations for passing.
O' Driscoll looks at changes in attitudes toward female sexuality and same-sex desire through the lens of the dildo in popular culture.