Sarah Orne Jewett & Annie Fields
LHMP entry
In addition to the economic dynamics of domestic employment, the mistress-maid relationship as depicted in 19th century fiction brings in themes of loyalty, devotion, and female alliance, although the last is mostly a fictional invention. When servants feature in fiction (which is rare) these conditions create a homoerotic potential. Two women, separated by class but existing in close physical proximity, invite images of unrequited love and yearning, and sometimes their fulfillment. Conversely, the appearance of an employment relationship may serve as cover for a queer relationship.
This book is a glossy, photo-filled companion volume to a museum exhibit on lesbian and gay history in Boston, for a fairly broad definition of those terms. Due to this connection with a museum exhibit, there is a natural focus on material objects, accompanied by a relative minimum of explanatory commentary. The exhibit emphasized the importance of making a historic connection for modern visitors--a “usable history”.
If one had any doubts about the common perception of the phenomenon of unmarried women forming stable, long-term partnerships in the later 19th century in America, those doubts could be settled by the existence of the term “Boston marriage” for such partnerships. Unlike earlier Romantic Friendships, which often had to work around the marriage of one or both parties to a man, the women in Boston marriages were normally unmarried and independent, either through inheritance or a career.