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Margaret Cavendish

17th century English philosopher and Duchess of Newcastle whose works include themes of female homoeroticism and women-only societies.

LHMP entry

Preface

Early Modern England (16-17th century) was developing a vocabulary and symbology to describe and express intimacy between women and female non-normative sexuality. This was taking place in various genres, including travel narratives, medical texts, and works of marital advice. At the same time, women were developing an evasive coded language to express such desires in their own lives. In this context, Sappho was invoked not only as a symbol of female lyricism, but also to represent and make reference to erotic bonds between women.

Jelinek has collected information about a surprisingly large number of gender-masquerade autobiographies, covering the 17-20th centuries and focused on the English-speaking world (likely due to the reseracher’s own interests). The bibliography at the end lists 18 publications, covering 17 different individuals, of whom 13 are discussed in detail in the article. As a context for the material, Jelinek notes motifs of women disguised as men in literature , including several works by William Shakespeare and Margaret Cavendish.

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