Opposition to suffrage was largely fueled by fears that if women engaged with the male-coded world of politics, it would be to the detriment of female-coded concerns and activities. Home life would suffer. This ideal of “separate spheres” was never more than a stereotype, especially among the working classes. But all manner of social woes were pinned on the upending of the “natural order” in which women were excluded from public life.
19th c
LHMP entry
Part of the overarching theme of this study is the tension between “respectability politics” and the essential reliance the suffrage movement had on women willing to disrupt social norms, specifically including norms of sexuality and gender presentation. The resonances with the “lavender menace” confrontations of the 1970s are inevitable (and noted specifically in the conclusion).
Introduction
The author points out that this is an inescapably political book and should be read in that context. He points out that the question of “who is queer” is not at all straight-forward [pun intentional] in a historic context, and that queer figures have been silently and invisibly embedded in US history far deeper than most people are aware.
This is a narrative history of Anne Lister’s life between November 1831 and March 1834, the period covered by the tv series Gentleman Jack. The book was written specifically as a companion to the tv series, giving the actual details of Anne’s life during that period, which differs in various details from the tv series. (The tv series both omitted and invented significant details.) Interspersed in the narrative are extensive quotes from Anne’s diaries.
Introduction: Who is the Lesbian?
For the purposes of this book, “British lesbian history” begins in the late 18th century. It was unclear to me if this was simply a chosen scope based on the source material they wanted to present, or if the authors believe there is no lesbian history prior to that date. They assert that “lesbian identity” is a late 20th century concept. “Women…did not necessarily have a language to describe themselves as lovers of women.” [Note: we can take it as given that I disagree with that position.]
This article looks at French working-class lesbian culture from 1882-1930 and notes that a lot of previous coverage of French culture in this era has focused on the demi-monde, artists, and salon culture. The author challenges the assertion by some historians that a history of this sort—at the intersection of gender and class—is impossible to write. The decadent esthetic and visions of the Belle Epoque stand in contrast to the experiences of the working class. This was an era of union and feminist movements. WWI stepped up women’s participation in the industrial workforce.
The title of this anthology is a call-back to Donoghue’s non-fiction work Passions Between Women. In contrast to the previous blog on The Defiant Muse, pretty much the entire contents of this collection are relevant in some degree to the Project. So I won’t be citing specific poems. (Several have been included in various of the poetry podcast episodes.) This book makes a nice compare-and-contrast to The Defiant Muse. It is entirely Anglophone authors and specifically focused on poems about relationships between women—erotic, romantic, and platonic.
The introduction reviews the history of feminist literary criticism and notes that it has tended to focus on prose. Multiple filters and gatekeeping mechanisms stand in the way of presenting non-Anglophone feminist poetry to a larger audience. Feminine stereotypes have pressured women poets into restrictive genres: domesticity, romance, religion, etc. This collection seeks out pets and poems that operate against this restriction.
It might seem odd to cover this article after covering Turton’s book (Before the Word Was Queer) that functionally includes material about Anne Lister, but “The Lexicographical Lesbian” goes into a bit more detail. And besides which, I’m a completist.
This chapter focuses on the philosophy, history, and development of the Oxford English Dictionary (OED) specifically. The creation of the OED was a monumental project, delivered alphabetically in fascicles (separate installments of a larger work, meant to be bound into a single volume when complete). The fascicles were released beginning in the 1880s and completed in 1928, followed by a supplement in 1933 to catch up with developments in the previous half century.
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