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transvestite saints

This tag identifies the specific hagiographical motif of women taking on male disguise in order to enter monastic life, especially stories set in the early Christian period when female monastic institutions were not prevalent.

LHMP entry

This article examines the specifically Christian uses of gender-crossing in a cultural context with highly polarized gender roles. Masculinity was associated with “honor”, the aggressive pursuit of military virtues such as courage, loyalty, and glory, and both the need and willingness to defend one’s claim to them. Femininity, in contrast, was associated with chastity and the protection of sexual purity, where the driving force was the avoidance of shame due to the loss of these attributes.

This review will necessarily be somewhat cursory, as the entire book is relevant to the LHMP project. In general, I will summarize data not covered in detail elsewhere, and include references to the rest.

In the context of an increased interest in the cultural role of theatrical cross-dressing in the Renaissance through modern times, these authors extend the analysis backward to look at similar themes in medieval theater.

The article begins with a survey of the discussion of, and attitudes toward distinguishing biological sex and gender behaviour in professional literature. Especially in distinguishing transvestism, transexualism, gender non-conformity, and more situational uses of cross-gender behavior. This article focuses more on those situational uses rather than cross-dressing as a feature of gender or sexual identity.

This article looks at gender-status issues in the context of medieval crossdressing motifs (both literary and historical). It begins with a consideration of crossdressing as psychopathology with an essentialist approach (keep in mind this was written in 1974!) then shifts to looking at the role of culture in reactions to crossdressing, especially differences between the reactions to crossdressing men and women.

This is an extensive survey of early saints’ lives that involve the motif of a woman crossdressing and passing as a man, generally in order to participate in a monastic community at a time when there were no women’s communities available. Given that the context is hagiographical, this activity is framed positively, not only in pragmatic terms (it enables the woman to do something holy) but due to the greater value placed on men, especially in the context of religious practice.

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