Faderman, Lillian. 1999. "Surpassing the Love of Men Revisited" in The Harvard Gay & Lesbian Review 6.2 p.26.
Faderman’s book came out of several articles she wrote on the topic of love between women, how that love was expressed in literature and correspondence, how and when love between women became pathologized by sexological theory, and how self-conscious lesbian identity arose within that context. The work had come from a very personal place for her: entering the lesbian social world in the 1950s at a time when that identity was still heavily stigmatized and working through the process in the decades that followed of embracing lesbian identity as a positive force.
Having encountered expressions of romantic love between women in her study of 19th century literature, Faderman decided to tackle the question of how and why the phenomenon could shift from being universally condoned in Western culture, to universally condemned.
Faderman notes that when she wrote StLoM she could not imagine how much the world would change on the subject within her own lifetime, and admits that if she had it to write over again, she would do it differently. The following points are specifically noted as places where she now feels she erred.
She feels she did not give sufficient credit to the social and political work of the “homophile” organizations of the mid-century, only seeing them as conservative and old fashioned from the point of view of a ‘70s activist. She also regrets not being able to find any material on women of color to include in the book (and provides a number of references now available on that topic).
Faderman notes that the field of queer theory--which had not yet been developed when StLoM was written--now better engages with the historic fluidity and flexibility of sexuality and affectionality through history. That she had tried to present love between women across the centuries as a contradiction to a false homosexual/heterosexual divide. But that she feels the “queer movement” has the potential to uphold essentialist concepts and to continue to “other” people identified as queer, while her work had been intended to demonstrate a continuum. To point out that desire between women has been common in any era and culture that has not been actively hostile to same-sex love. While some of the subjects of her book she now feels would have identified today as “queer”, others would have rejected the idea that they were in any way distinct from the generality of women in their own culture.
One goal of StLoM was to demonstrate the extent to which the expression of sexual and romantic desire reflects the culture in which it exists. In eras that were friendly to the concept of love between women, it was virtually universal. In eras that were hostile, it was treated as abnormal and was pathologized. But that the underlying feelings were not different in kind.
Seeing the fluidity of people’s identities and affective connections within the context of the feminist and gay liberation movements of the 1970s, she felt validated in the conclusion that--when not suppressed--every woman was capable of experiencing desire for other women. But, she acknowledges, this was driven in part by that experience being a personal truth for her.
Faderman protests that her work was misunderstood by those who accused it of reducing to the question of “did they or didn’t they [have genital sex]?” While other critics felt that the book promulgated a false position of “no sex before 1900.”
[Note: here I will point out that if so many people--including me--took away this misunderstanding, perhaps the fault was in the text, not the reading.]
Faderman claims that her strategy was to take the position that whether or not we can “prove” genital sex between women, the demonstrable strength of their emotional and sensual attachments qualified them as progenitors of the later lesbian-feminist movement. That she was not denying the possibility of genital sexuality between women in the 19th century, only qualifying the impossibility of proving it except in very limited cases. She goes on to reiterate what she had intended to argue in StLoM:
Faderman admits that one driving force for her book was to create a “usable past” for contemporary women and hopes that, despite the book’s flaws, she was able to do that.