Part I - We “Other Victorians”
Part I - We “Other Victorians”
Bray’s book was inspired by trying to understand the meaning behind various joint funeral memorials of pairs of non-related men. The study expanded to “the distinctive place friendship occupied in traditional society” in Europe from the 11th to the 18th centuries. The focus is on friendship as a public rather than a private phenomenon. He also touches on the relationship of homosexuality to same-sex friendship.
Among the various models for how close female friendships were viewed in the 19th century, that of sisterhood plays a regular role. The concept of sisterhood represented a close supportive bond between equals in age and status. Sororal relationships were expected to include a component of physical affection, as well as emotional closeness. In addition to echoing bonds of blood family, the language of sisterhood was common within religious communities and charitable organizations. Thus it was a natural option for intimate friends to use with each other.
Smith-Rosenberg takes an in-depth look at the nature and dynamics of women’s intense and intimate same-sex friendships in 19th century America, as documented in the correspondence from 35 middle-class families dating between the 1760s and 1880s, from a variety of geographic regions, both rural and urban, and belonging to a variety of Protestant denominations. Private correspondence and diaries have the advantage of presenting the best available approximation of unfiltered personal reporting. They were never intended for public consumption and therefore are able to reveal private thoughts.
It’s always interesting to see the intersection of very different takes on the same set of historic data. Interpretations of the “romantic friendship” phenomenon and how it related to social reality are a great example. In contrast to interpretations that take middle-class models of romantic friendship as naively “innocent” of sexual overtones, Moore suggests that the concept of romantic friendship always existed in parallel with--and was a direct response to--awareness of the possibility of sexual relations between women.
Gubar looks at the ways in which poets and writers have used and reinterpreted both the poetry and the image of Sappho across the ages, particularly in the context of sexuality. In the early decades of the 20th century, as translators were shifting to honoring the female pronouns in Sappho’s work and classicists were re-examining the myths of her life, a wide range of women writers focused on Sappho as an inspiration and model for their own work.
This is a deeply contextualized edition of the correspondence of romantic partners Rose Cleveland and Evangeline Simpson Whipple, covering the period from around their first meeting in 1890 to Cleveland’s death during the Spanish Flu epidemic of 1918.
[Note: I have followed Horváth’s treatment of pronouns within the article’s content, which is somewhat inconsistent and leans toward using female pronouns for individuals in the “man-woman” role described in this article. Although the cross-gender social role discussed here does not correspond fully or precisely to modern definitions of transgender, and not all such individuals occupied fully male-presenting roles, it is clear that most or all of the specific individuals discussed in the article identified as male and were unremarkably treated as such by their community.]
Neff looks at shifting concepts and images of masculinity in England through the lens of Lord Byron (1788-1824) who stands in for an era when both masculinity and aristocracy were receiving increased scrutiny as privileged classes. Interpretations of homoerotic elements in Byron’s biography have been contested ground as he fails to fit neatly into the modern categories of sexuality. Neff declines to take a position on categorization and instead looks at the details of Byron’s life that raise the question in the first place.
Meem looks at the development of a public understanding of lesbian identity in 19th century English society through the life, journalism work, and novels of Eliza Lynn Linton. Linton was a contradictory figure, described by one historian as “a radical conservative, a militantly feminine antifeminist, a skeptical idealist, and a believing atheist.” Her journalism was shot through with misogyny and a belief that women should stick to the domestic sphere, while claiming economic and social independence in her own life.