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16th c

LHMP entry

Preface

Early Modern England (16-17th century) was developing a vocabulary and symbology to describe and express intimacy between women and female non-normative sexuality. This was taking place in various genres, including travel narratives, medical texts, and works of marital advice. At the same time, women were developing an evasive coded language to express such desires in their own lives. In this context, Sappho was invoked not only as a symbol of female lyricism, but also to represent and make reference to erotic bonds between women.

Introduction

This is a study of the ways that writers and translators of the 16th century onward have used and re-made Sappho to suit their needs and prejudices. DeJean attributes the start of this process specifically to the French.

This chapter tackles the public discourse around intense same-sex friendships among both women and men. Male friends took as their model the concepts of Platonic friendship expressed by ancient Greek and Roman writers. The language could be quite passionate, but did not assume a sexual component.

In this chapter, Faderman reviews the historic and literary perception of women cross-dressing as men during the 16-18th centuries. She notes that women passing as men [or transgender men, although this framing was not typically used at the time the book was published] were considered a more serious issue than lesbian sex, as long as that sex was between “feminine” women. One difference was that sexual encounters could be framed as a transient amusement whereas passing women were engaged in a long-term transgression.

In this chapter, Faderman explores the types of sexual activity between women that were portrayed in literature written by men. Authors such as Brantôme describe tribadism, with one woman atop another rubbing the genitals together, or the use of a dildo to perform penetrative stimulation.

The book opens with an examination of  female homoerotics in “libertine” literature of the 16-18th centuries, that is, books written almost exclusively by men that depict women in erotic encounters with each other, primarily for the titillation of the (presumably male) reader. This includes works such as Brantôme’s Lives of Fair and Gallant Ladies, which deals generally with the sexual exploits of women at the French court of Henri II, and includes a special section on “donna con donna” (woman with woman).

This may be the first time I find myself at a loss for summarizing a book because it’s too jam-packed with relevant information. Jennings has set out to discuss pretty much every scrap of historic data addressing lesbians and lesbian-like relationships in Great Britain during the defined time period of 1500 to the present. Reading through it, I haven’t spotted any material that hasn’t been mentioned in other publications already covered by the project.

The majority of this article concerns accusations of sodomy between men, and looks at the numeric distribution of evidence with regard to the date, location, nature of the charge, and demographic information about the accused. The analysis is particularly interesting with regard to the interplay of religious and sexual concerns. There is a single reference to an incident involving women.

Crompton provides an in-depth study of European and American laws addressing homosexual acts between women, from 1270 on. Prior to this study, the general historical understanding was that lesbians were ignored by the law, based mostly on an unwarranted generalization from English law. In fact, lesbian acts were criminalized in legal systems in France, Spain, Italy, Germany, and Switzerland, and were considered equivalent to male sodomy.

Pages

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