While other papers in this volume look at relations between upper class waiting women and their aristocratic mistresses (whether in life or fiction), this study concerns itself with in-group relations among ordinary housemaids and women in service. One common life path for young women from rural households (whether of the gentry or lower) was to be placed in service with a large urban household with the expectation that this would not only provide income in the immediate future but would lead to wider opportunities for marriage.
16th c
LHMP entry
The importance of relations (of all types) between women to society and to women’s lives has tended to be overlooked in favor of the more visible relations between men or between women and men. Due to the nature of society, men could assume that their relationships were stable and long-lasting, but women’s relationships could easily be disrupted by the lesser control women had over their own lives. Or women’s relationships might be temporary alliances across social barriers, established for a specific purpose.
Fisher examines the social and erotic context of the gesture-group known as “chin-chucking”, which is loosely defined as “reaching for, touching, fingering, pinching, caressing, cupping, or clasping of the cheek or chin.” The central version of the gesture involves one person holding the chin of the other person with the fingers of one hand. [Note: although Fisher considers this topic specifically within the context of 17th century England, there is a much wider context involved. See my commentary for further consideration.]
Traub claims the title of this article is a “bait and switch” as she follows Halperin in treating “homosexuality” as such as only existing in the last 100 years, with “the lesbian” as an even more recent discursive invention.
This article forms the core of Traub’s 2002 book by the same name, covered in entry #69. However summarizing this original article will provide a different angle and different details than I picked up from that previous entry.
Faderman’s book came out of several articles she wrote on the topic of love between women, how that love was expressed in literature and correspondence, how and when love between women became pathologized by sexological theory, and how self-conscious lesbian identity arose within that context. The work had come from a very personal place for her: entering the lesbian social world in the 1950s at a time when that identity was still heavily stigmatized and working through the process in the decades that followed of embracing lesbian identity as a positive force.
This article examines the social and legal background of a sensationalized “marvel tale” about an unmarried woman hanged for murdering her newborh child and then discovered to be still alive. The article largely centers on attitudes towards infanticide, especially of children born outside marriage. There isn’t much that’s relevant to the Project.
Despite their statistical commonness, singlewomen were treated as an anomaly without a recognized role in society, especially after the Reformation removed the option of convents as a marriage-alternative in Protestant countries. The feminist historians’ goal of recovering women’s identities has leaned on two assumptions: that “single” women were rarely actually alone, and that unmarried women’s identities can be revealed in their relations to other women.
Comic drama traditionally relies on and enforces the stereotypes and norms of heterosexual marriage. Most Elizabethan comedies do not present female singlehood and independence as a viable option, even when used as a transitional motif in the plot. Comedic resolutions overwhelmingly require the pairing off of single women into heterosexual marriages. Female resistance raises the questions: Must women marry? And must women marry men? Rarely are those questions answered in the negative. John Lyly stands out in offering a negative response.
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