This article looks at two stories within the 1001 nights that set up scenes of apparent homoeroticism due to gender disguise. In two romances—that of Qamar and Budur, and that of Ali Shar and Zumurrud—the woman disguises herself as a man during a period when the lovers are separated, and then when they are reunited and the disguised woman is in a position of greater social power, she teases her lover (who has not recognized her or even realized she is a woman) by demanding that he submit to her sexually (believing he is submitting to a man).
sex between women
This tag is used for any general discussion of erotic physical activity between women or one where more specific terms are not mentioned.
LHMP entry
This article looks at how beauty and attractiveness and desirability are framed within the early manuscripts of the 1001 Nights as involving similarity rather than gender difference. While later editions, and especially translations and adaptations into western languages, tended to insert a more binary-gendered aesthetic into the descriptions of characters in the thousand and one nights, this is a conceptual shift from the early versions.
This paper looks at the structure of legal arguments in medieval Islamic law that covers male and female homosexual acts. The author examines how different schools of law structured their analysis regarding categorization and punishment either through analogy to illicit heterosexual sex or with regard to the social roles of those involved in the sex act. This is not an analysis of how same-sex sexuality is treated in literature or poetry but specifically within the genre of legal argumentation.
Ballaster uses the lens of Delarivier Manley’s The New Atalantis, and especially its “New Cabal” as a lens for exploring knowledge of, and attitudes toward, female same-sex eroticism in 17th and 18th century England. (Manley’s book was published in 1709 and so speaks to both centuries.)
This article looks generally at the topic of women with “active” sexuality in a classical Roman context, as understood in the context of three grammatically-feminine nouns derived from verbs of sexual action: fellatrix, tribade, and fututrix. (Crudely translated, fellator, rubber, and fucker, but where the grammatical form of the word unambiguously indicates a female actor.) An example is given of an inscription identifying a woman as Mola foutoutris “Mola, fucker” using an agentive noun that implies the possession and use of a phallus.
I rather like the conclusions chapter—neither a rote summary of the analysis nor an unrelated philosophical excursion. Boehringer starts by noting that there’s an inherent anachronism in defining the scope of the book in terms of modern categories. Whether you consider that scope to be “female homosexuality” or even the narrower “love and sex between women”, the definition assumes the existence of a category that the research has yet to demonstrated existed in classical Greece and Rome.
Those familiar with the corpus of classical references to sex between women may have noticed a gap in the material covered up to this point. In a chapter labeled “Epilogue: Lucian and the saturation of signs” Boehringer tackles Lucian’s Dialogue 5 from Dialogues of the Courtesans, in which the narrator describes her sexual interactions with a female** couple who present themselves as “married”.
[Note: calling these texts “scientific” is stretching things a bit, but I’ll allow that the people writing them considered them to be scientific, in a sense.] This section of the chapter covers a handful of texts that fall generally in the category of non-fiction, as understood by their authors. A secondary theme to this section is “motifs that classical Roman texts do not support,” specifically with respect to physiology and gender role topics.
Macro-clitoral Motifs
Petronius’ Satyricon
One particular woman’s name crops up in relation to several references to tribades, creating a confusing implication that a specific tribade named Philaenis was part of Roman history. In this section, Boehringer dissects out the origins, traditions, and contexts that connect the name Philaenis to sex between women (as well as other sexual contexts). This is a long, complicated discussion and I will skim over some parts.
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