Like Schibanoff, Weston looks at the framing of religious devotions in same-sex imagery associated with the convent of saint Radegund. An episode in Radegund's Vita in which she encounters Christ as Bridegroom is turned around and echoed more strongly in Radegund’s relationship to the female community she founded, which is expressed in the language of desire and relationship. Within the female-authored part of her Vita, Radegund becomes conflated with Christ the Bridegroom in her relationship to the Brides/nuns who venerate her.