This chapter opens discussing how dictionaries explicitly presented themselves as censoring inappropriate language when aimed at an audience that included women. This sort of comment shows up as early as the later 18th century. Even the nature of what was being censored is censored, with explanations that it is aimed at “inelegant” words, rather than objectionable or obscene ones.
game of flats
(English) As with Tommy, an 18th century text provides undeniable evidence for this phrase meaning “women having sex together.” The 1749 polemic Satan’s Harvest Home has a section entitled “The Game of Flats” which goes into sufficient detail to make the meaning clear.
LHMP entry
Satan’s Harvest Home is an anonymous polemic (published 1749) railing against the perceived rise of effeminacy, sodomy, and prostitution in English society.
Burford’s book is a popular-oriented tour through the “scandalous” aspects of the Covent Garden district in the 18th century, particularly focusing on sex and alcohol. The book has three pages of bibliography, mostly 18th century primary sources, and an extensive index. It isn’t footnoted in a scholarly way, but sources for particular chapters are given more generally.
When one of my summaries is basically a list of contents, either it means that the publication is really thin on relevant content, or it means that it’s so rich that you simply need to buy the book and put it in a cherished place on your shelf. This one is the latter. At least half the contents apply to women’s experiences (although it’s still true that the male-authored female-relevant content far outnumbers the female-authored male-relevant content) and the collection includes many of the oft-cited texts from the covered period. Far from all, but an excellent place to start.
This article examines the history of inclusion--or more to the point, deliberate exclusion--of vocabulary relating to lesbians and lesbianism in the Oxford English Dictionary (OED), the “reference of record” for the history of word usage in English. When publication after publication repeats the false statement that vocabulary for lesbians didn’t exist before the late 19th century, one of the reasons is that people are using the OED as if it were simply factual, and not part of the long tradition of erasing women’s same-sex sexuality.
The chapter opens with a tantalizing personal history that suggests, but never clearly demonstrates, lesbian possibilities. In 1722, Ann Carrack, a 30-year-old spinster set up in business as a milliner in London with Mary Erick. They rented a shop together and lived together above the shop. Several years later, they moved together to another location. After 7 years sharing a business and living quarters, they parted: Ann to work as a needlewoman and Mary to set up a shop in Chelsea. But 10 years after that, Ann resumed the partnership, moving in with Mary in Chesea.
Preface
Early Modern England (16-17th century) was developing a vocabulary and symbology to describe and express intimacy between women and female non-normative sexuality. This was taking place in various genres, including travel narratives, medical texts, and works of marital advice. At the same time, women were developing an evasive coded language to express such desires in their own lives. In this context, Sappho was invoked not only as a symbol of female lyricism, but also to represent and make reference to erotic bonds between women.
There are no identifiably female authors in this set. Several works are anonymous, but unlikely to be by female authors. Sappho continues to be a theme, with approaches that range from a positive interpretation of her homoerotic themes to a satirical portrayal of her invention of lesbianism. Out and out pornography is well represented, presenting sex between women for the male gaze, in one case disguised as condemnation. And we have a couple examples of the blurring of gender categories in ways that could be interpreted as homoerotic (among other interpretations).
Following the theme of “who tells your story?”, this set of selections diverges strongly between male and female authors. We have three named male authors including lesbian themes in pornography or crude sexual satires. We have five female authors writing poetry of intense romantic friendships, sometimes tinged with an erotic sensibility but never explicit. And we have two anonymous works of varied nature.
Rictor Norton has assembled an on-line sourcebook of primary documents relating to homosexuality in 18th century England. (He also has several other pages on related historic topics.) He notes: “All the documents faithfully reproduce the spelling, punctuation, capitalization and italicization of the original sources." As is typical for sites covering homosexuality in general, male-related material vastly overwhelms female-related material (which represents less than 10%).
Pages
