Bella Distributing is holding a "Scary Good Paperback Sales" lasting through this whole weekend. Check it out for some stupendous deals on lesbian genre fiction--including Daughter of Mystery and The Mystic Marriage! If you've been waiting for a great deal to get caught up with the series in paperback in time for the release of Mother of Souls, it won't get any better than this. (If you want a chance to get caught up in e-book...well, you never know.)
And now, on to the movie review.
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This is a series of reviews of lesbian-themed movies originally inspired by a request for recommendations of "good movies involving lesbian romances that don't end up with the protagonists deeply unhappy, dead, or both." To this set of criteria I’ve added the question, “Is the story primarily about coming out?” This set of index questions can involve some spoilers, but I will usually only hide them for new releases.
Many of these movies are not currently in print. I'll link each to their imdb.com entry for reference. But for those currently available, Wolfe Video [https://www.wolfevideo.com] is the go-to distributor for lgbt movies.
I'm going to confess that I've been putting off watching Imagine Me and You (2005) for quite some time because I was afraid of getting punched in the face. Somehow the "meet-cute" premise of a bride falling for the (female) florist at her wedding, combined with the cover image of two m/f couples with the women surreptitiously holding hands behind the men's backs, didn't feel very promising for a f/f happy ending. I expected a lot of angst, a traumatic coming out, and probably the women being tragically separated due to one or the other sacrificing her own happiness for the sake of the other. And despite several people assuring me (in a non-spoilery way) that it wasn't like that, I think there was a gap of a couple years between when I bought this DVD and when I finally watched it.
It wasn't like that.
There was a certain amount of angst--but only as much as one would expect when a newlywed discovers that, although she married her best friend, she hadn't married the love of her life. There was a fair amount of comedic confusion around coming out, but not in the "I'm revealing a secret" sense but more in the "um...why have you assumed I'm heterosexual?" sense. The second man in the cover poster--the groom's best man--starts out as a lecherous sexist boor, but is only moderately annoyingly persistant once he's been clued in to the sexual preference of the woman he's been set up with. Because, you see, the bride's initial reflex to feeling an instand emotional connection with the florist is to invite her over for dinner and then try to set her up with her husband's best friend.
What makes the biggest difference between my expectations (fears) and the movie is that it's set in the 21st century, when sexual preference is considered by the characters of no more moment (and equivalent comedic potential) to being vegetarian or some such. So the angst is all about respecting commitments versus following your heart and admitting to someone you care deeply about that you've made a dreadful mistake. And, in the way of the best romantic comedies, in the end, following your heart leads to a happy ending for everyone.
Evaluation: No one dies. No one recants. Everyone ends up happy (though some teeter on the edge of happy and bewilderment). The bride goes through coming out, but it's not the major focus and isn't traumatic. Once she realizes the nature of her feelings for the florist, the question is how to balance the imperative of True Love with having just made vows to someone else. And her friends and family don't react with shock and horror, only confusion concern.
So if you, too, have worried about whether this movie will punch you in the face, I'll echo what I was told and didn't entirely believe: It doesn't.