Shira Glassman writes self-described "fluffy queer Jewish princess fantasies" (ok, I may have reworded slightly but I think I've kept the essence of it). The Second Mango introduces the reader to Perach, a secondary-world fantasy realm where everyone just happens to be Jewish. I mean that in the most positive possible way -- when creating a fantasy setting completely separate from real-world history, why not set it up exactly as you choose?