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Early Modern (general)

This tag is used when a more specific date isn’t available, but consider it to cover roughly the 17-18th centuries. This tag is unlikely to be used much.

LHMP entry

Lanser connects female rule over England in the wake of Henry VIII’s death with the rising debate regarding women’s nature and women’s place in society in the later 16th and 17th centuries. That is, that the undeniable fact of Elizabeth’s lengthy reign forced society to grapple with the concept of the equality of the sexes, while Elizabeth’s relationships with her female courtiers helped sanction the validity of female friendship bonds.

Traub claims the title of this article is a “bait and switch” as she follows Halperin in treating “homosexuality” as such as only existing in the last 100 years, with “the lesbian” as an even more recent discursive invention.

Introduction - Clothes Make the Man

Introduction: Sex before Sexuality

The text opens with a manuscript illustration of the concept of sexual temptation and resistance to that temptation to introduce various themes relating to how sexual objects and desires were understood in “pre-heterosexual” culture.

As usual, the introduction to this collection includes laying out the basic concepts of the topic, a review of the existing literature, and then summaries of the papers that discuss how they relate to each other.

[Note: I’d like to remind readers of my convention that my commentary and critique of articles is typically enclosed in square brackets, unless it’s clear enough from context that I’m speaking in my own voice. Otherwise non-bracketed text is meant to be understood as a summary of the article.

Preface

This book looks at how Catalina de Erauso’s story has been “constructed, interpreted, marketed and consumed” in the 17-20th centuries. Velasco identifies Catalina as a “transgenderist” (that is, someone who engages in transgender performance without necessarily having transgender identity) and uses she/her pronouns as the book is examining how Catalina’s image was used (the image of a woman performing masculinity) rather than interpreting what Catalina’s own understanding might have been.

Pages

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