There was a theatrical counterpart to the real life cross-dressing women discussed in the previous chapter. It had become the fashion for women to play certain types of male roles on stage, under the cover term “breeches parts”. This was part of the contradictory acceptance/rejection of women in male disguise. Acceptability was not related to how well the disguise was pulled off: “masculine” clothing among fashionable women (such as riding habits) might be mocked while women discovered after passing completely as soldiers might be lauded.
17th c
LHMP entry
The introduction begins with a contradiction that inspires the book’s title. In twenty years of correspondence between Queen Anne and Sarah Churchill, the Duchess of Marlborough (who were famous for their close and loving friendship), the two closed letters with phrases in which the words “passionate” or “passionately” figured prominently. And yet a comment by Sarah regarding a somewhat scandalous pamphlet described it as including “stuff not fit to be mentioned of passions between women”. Did the word “passion” have distinct and separate meanings in these two contexts?
Chapter 1: Female Hermaphrodites
Donoghue’s second conceptual cluster in this analysis is the “female husband” motif. That is, not simply women passing as men, but doing so in a context where they courted and/or married other women. The chapter begins with a general note on the prevalence of this type of event and the wide variety of superficial motivations for passing.
Chapter 5: Condemnation and Praise
Two extremes show the range of reactions to women passing as male soldiers who were discovered only after death. Aal the Dragoon was handed over for medical uses (a fate reserved for serious criminals) and ended as a taxidermy display. Trijntje Simons (serving as Simon Poort) was buried with full military honors with both military and civic dignitaries in attendance.
Chapter 3: Motives
Chapter 1: Introduction
We start with a type-case (although unusual in the level of detail given in the court records). Maria van Antwerpen dressed in men's clothing, took a male name, and enlisted as a soldier in 1761. For eight years she lived undetected, including courting and marrying a woman. When discovered, she was tried and condemned for fraud and for "mocking laws concerning marriage." It was discovered that she she had been tried for the same offenses in 1751. She was neither exceptional nor unusual.
The recent history of debate over the question of same-sex marriage has tended to take as a given that the concept did not exist in pre-modern times, but a growing body of evidence suggests that this is not entirely the case. This article begins with the usual review of the problems in identifying what would constitute historic evidence for female homoeroticism before the modern period, though Emma Donoghue's work is cited as establishing early uses of terms like "lesbian" and "sapphist", which are relatively unambiguous.
Cressy looks at the social context of both “acceptable” and unacceptable forms of cross-dressing by both men and women in his study period. While the contexts for the two groups were very different, both raised similar concerns about the violation of appropriate gender roles and the use of cross-dressing as an excuse (or context) for other social transgressions.
Like many articles of this era, Bruster begins by explaining that (and why) there is a dearth of academic investigation into the topic of female homoeroticism in [insert topic here]. He asserts that prior work has focused on affirmative and subversive portrayals of female homoeroticism, resulting in an incomplete and idealized picture. So he’s going to be iconoclastic and look at less positive portrayals of female-female eroticism on the stage.
Pages
